Posts Tagged ‘Sydnye White’

High School Dropout Intervention on Ideas In Action

How often do we as producers get to work on a meaningful project AND get the chance to redo it in an additional version?  I am lucky to have the opportunity to produce a two-part look (each one a half-hour long) for the public television series Ideas In Action with Jim Glassman exploring how targeted middle school intervention and effective school leadership is curbing the high school dropout crisis in America.

I also have the opportunity to turn the content into a 1-hour special that I am working on now. This will allow me to add even more great content that I found it hard to part with during the initial cuts.  Here is a promo for the one-hour version: http://www.youtube.com/watch?v=rISY_IAPgcc

As a mother, I’ve learned so much about how to help usher my children through their educational experiences. As an American, I am hopeful about our ability to educate all children regardless of their backgrounds. As a producer, I am thankful for the opportunity to share stories that may make a difference in someone’s life.

Dalai Lama on “Ideas In Action”

Here is a press release for the Dalai Lama’s appearence on Ideas In Action.  I worked on this episode as shoot coordinator and post production producer.  The Dalai Lama spoke about seeking “meaningful autonomy” for Tibet in relation to China, Middle East uprisings and his decision to step down from political leadership.  Click here to learn more about the Dalai Lama’s interview.

For Immediate Release

DALAI LAMA CALLS CHINESE OCCUPATION OF TIBET A” RULE OF FEAR AND TERROR,” SAYS THERE IS A “SEMI-CULTURAL REVOLUTION” IN TIBET

Annapolis, MD June 1, 2011 – An exclusive thirty-minute interview with His Holiness the Dalai Lama will air on public television and the Voice of America over the weekend of June 3-5, 2011 as part of the weekly television series, Ideas In Action with Jim Glassman.

During the interview the Dalai Lama candidly discussed his views on the future of his people, the struggle for freedom by people in the Middle East, how he plans to remain as spiritual leader while giving up his role as the political leader of his people and his desire for Tibet to be an autonomous region within China.

With the increase in Chinese military and security personnel in Tibet, His Holiness commented, there is a “rule of fear, rule of terror there.”

In discussing the systematic efforts by the Chinese government to stamp out the Tibetan culture, the Dalai Lama says local Tibetans tell him that now a “semi-Cultural Revolution [is] returning,” a reference to the Cultural Revolution in China in the 1960’s and 70’s when the communist authorities waged a reign of terror against the Chinese people and instituted a strict regime of political indoctrination.

On the recent wave of Middle East uprisings His Holiness said that he supports the people fighting for freedom, saying that once their goal of changing the system is achieved, they should avoid criticizing each other and “…. work together and build [a] new society.”

The Dalai Lama interview is part of the Freedom Collection, a repository of video histories and documents from the hallmark freedom movements of the twentieth century up to the present that is being created by the George W. Bush Institute in Dallas, TX.  Videotaped interviews and important documents will be available at the George W. Bush Presidential Center in Dallas and on the Freedom Collection website later this year.

Ambassador James K. Glassman is the Executive Director of the George W. Bush Institute, the public policy arm of the George W. Bush Presidential Center.  Ideas in Action with Jim Glassman airs on public television stations across the country.  Viewers should consult their local listings for times, or can visit the www.ideasinactiontv.com website to watch the program or look up program schedules.

Ideas in Action with Jim Glassman is a co-production of Grace Creek Media and the George W. Bush Institute.

ABOUT GRACE CREEK MEDIA (www.gracecreek.com)

Grace Creek Media, Inc. is an independent production and distribution company based in Annapolis, MD that specializes in the development, production and distribution of documentaries, series and educational television programming.

THE GEORGE W. BUSH INSTITUTE (www.georgewbushinstitute.com)

The George W. Bush Institute is an independent, nonpartisan think tank engaged in policy, research, and action guided by the principles of freedom, opportunity, responsibility, and compassion.  Working with philanthropic-minded individuals, social entrepreneurs, other non-profit private institutions, businesses, and international and domestic government agencies, the Bush Institute’s goal is to transform ideas into action, producing results that can be tested, proven, and replicated in the real world.

Press Contact: Christina Mazzanti – christina.mazzanti@gracecreek.com

#####

Working From Home: Editing

I’ve always fantasized about hiring an entire production staff that could work from home.  It doesn’t work for everyone, but I work much better in the comforts of my own house (and backyard). While is it possible, many supervisors remain resistant.  One reason it is often easier to communicate edit ideas with editors as they edit.  This has never been a big hinderance for me personally because I don’t mind being sent, emailed or FTPed a program and then writing up edit notes to send back.  Sometimes I feel that I need to sit with the editor for morale sake because they have to go into the office. 

Recently, I had the eye-opening experience of working with my editor friend Jenny Gebhardt.  I was at work sitting at the Final Cut Pro editing station. She was at home editing on her Final Cut, and; because of screen sharing, I was able to see everything that she was doing.  It as a little freaky at first to see the cursor and timeline seemingly moving on their own.  One of my colleagues thought I was talking to myself while I was giving Jenny instructions through the computer microphone.  Perhaps I am late to the game, but this totally blew my mind!  Who needs the overhead when everyone can work remotely?  It may be some while before working from home is the norm. But I’ve been ready for it for a while now.

Preparing for the Tiger Mother

Today I met the Tiger Mother. I booked Amy Chua, author of the Battle Hymn of the Tiger Mother on a show that I currently produce.  Chua’s book chronicles her journey of raising her daughters the traditional Chinese way.  She had mixed success with making her daughters practice the piano of minimum of two hours a day and not allowing them play dates or slumber parties. First, let me say that she was intense, charming and too tiny to appear to be anyone’s task master.

The challenge with preparing the interview with Chua was that she has already been interviewed almost anywhere you turn – on television, on radio and in print.  Her book and the reports about her book have drawn ire from some parents and praises from others.  The critics are much louder than her supporters. It seems that they have sent her on a back-to-back damage control media tour.  She’s been accused of being a callous and tyrannically to her kids, of being condescending to western parents and of back peddling by trying to explain some of the harsher moments in her book away.

My job was to find a line of questioning that both addressed the controversy surrounding Battle Hymn of the Tiger Mother but also to compose questions that would elicit answers that viewers had not heard before. In other words, my job was to make the interview fresh.  The questions had to be approved by my supervisor and asked by the host.  We had the luxury of a half-hour show so we could go deeper than just discussing the headlines.

I felt for Chua.  I think a lot of what she has to say makes a lot of sense.  As a parent, I sometimes push my kids to do things that they don’t want to do or don’t think they can do.  I agree with Chua that some western parents think that to build a child’s self-esteem, you have to cater to that child’s ever whim.  I don’t agree with her making her children practice a song without a bathroom break or something to drink until they got it right. But the interview wasn’t about me. I wasn’t even the one doing the interviewing.

After reading the book, digesting existing reviews and watching countless interviews, I noticed that few people, if any, were asking Chua about her day-to-day life.  Spending all that time drilling her kids couldn’t have been easy.  What was her daily schedule like?  Few people asked her about her previous two international policy books and how they related to her memoire.  What were some common cultural insights in all of them?  I tried to put the book on a broader scope, to find out what, other than the controversy about her tough love, could we learn from her and her work.  I feel the question covered a nice range and that the host did a good job making the conversation flow naturally and seamlessly.

Working with authors and literature is one of the best parts of what I do as a producer.  It is always difficult to find the line between not repeating what has already been covered, respecting the author, and asking the probing questions.  In the case of Amy Chua and Battle Hymn of the Tiger Mother, the production staff was happy with the interview.  Chua and her publisher seemed pleased as well.  Now it’s time to wait and see what the viewers think.

Secrets to Funding Your Dream Documentary

Here is an except from my interview with Bill Einreinhofer from the CD recording of the  teleseminar “How To Fund Your Dream Documentary.”  Bill is a National Emmy-Award winning producer, writer and director with over 20 years of television production experience.  He shared a lot of useful tips about how to raise money to produce a documentary.  Here he discusses how to approach potential funders.

SYDNYE: Before you introduce yourself and how fabulous you are and how fabulous your idea is, you need to know why and where and how much they give?

BILL: Yes. This is where you start looking at the giving history. This is where these various reference libraries, whether you go to the actual library or whether you view it online line, find out where the money has gone in the past. What are their interests if they are a foundation? Of if they are a corporation, who they are trying to reach? Corporations, I’ve gotten corporation grants to do public television programs, and it’s because those particular corporations wanted to reach the audience that public television gets. You have to figure out what the grant maker wants. And then be able to tell them, “I can deliver what you want to you.” It only makes sense. I mean obviously, it these people are going to be making grants or if they are going to be making advertising buys, they have certain needs. You have to understand what those needs and be able to tell them “this is how I can help you meet those needs.”

SYDNYE : So we’ll talk a little bit more a little bit later about distribution because that is part of it.

BILL: And this is probably the biggest mistake that many people make. In that they’ll put together a wonderful proposal. They’ve got a great theme. They’ve got colorful characters. A really, really good story, they’ve figured out exactly how to shoot it and edit it. They know what the look is and they don’t put anything about how they are going to distribute it. And if no one is ever going to see this program, this film, then why fund it?

You can learn more tips from Bill Einreinhofer about funding documentaries on the 45-minute audio CD “How To Fund Your Dream Documentary.”

Follow

Get every new post delivered to your Inbox.

Join 29 other followers